Profile for

Patrick McNally, DMA

Assistant Professor of Music in Voice and Director of Opera

Baritone Patrick McNally is highly praised for bringing new works to life and invigorating great works of old. He prioritizes works important to our time that deeply impact audiences. Drawing from his extensive performance experience, he is equally at home on the opera, musical theatre, and recital stage. This season Mr. McNally headed back to Resonance Works as Mercutio in Roméo et Juliette and joined the FIO Italia festival as a director and teacher. He also made his El Paso Opera house debut as Mercutio in Roméo et Juliette and returned to Italy this summer to sing Don Micco in Li finti filosofi through a collaboration with The Pergolesi Spontini Foundation. Recent seasons have seen Mr. McNally travel to Rimini to make his professional Italian debut, portraying many of his most notoriously beloved characters, the title roles in Don Giovanni and Gianni Schicchi as well as Germont in La Traviata. In the recent seasons, he returned to St. Petersburg Opera to sing Taddeo in l'Italiana in Algeri and The Wolf in Pinocchio. He was also seen with the Quad Cities Symphony performing the role of Gad in Heggie’s Two Remain (Out of Darkness). 
Recently, Mr. McNally recorded Tangling with the Epic, a CD of newly created English and Australian art songs released late in 2023 on the Cedille Records label. As an avid recitalist, this past season he provided a recital for St. Petersburg Opera, and next season he will perform in a faculty recital at East Texas A&M University. This past season Dr. McNally was also the director of opera scenes at FIO Mondo. His directing could also be seen at Opera De Metro where he directed their updated production of Le nozze di Figaro. Over the pandemic Mr. McNally premiered in his first Twitch Opera as well as multiple asynchronous productions for online audiences including the world premiere of the award-winning Verdi by Vegetables by Peter Hilliard and Matt Boresi, receiving Opera America's Digital Excellence in Opera Award. Dr. McNally has been known and glowingly reviewed throughout his career for his command of the bel canto repertoire, his stylish portrayal of Mozart, and his commitment to new works. He continues to delight audiences with a baritone described as “robust” and “standout” by the Denver Post, as having a “rich, expressive baritone,” and with a “lively stage presence” as described by Opera News.  Mr. McNally has performed at houses across the United States as well as internationally. Recent career highlights include appearances at Nashville Opera, Des Moines Metro Opera, Central City Opera, Tri-Cities Opera, Sarasota Opera, Dayton Opera, Opera Louisiane, Bronx Opera, Opera Mississippi, City Lyric Opera, the Center for Contemporary Opera, the Boston Lyric Opera, St. Petersburg Opera, as one of the solisti of Lucca, and in Die Eutiner Festspiele. His recent oratorio highlights include the baritone solos in Fauré’s Requiem, Handel’s Messiah, and the Bach Mass in B minor. Mr. McNally has won many awards including the Richard F. Gold Career Grant from the Shoshana Foundation, and he is a John Moriarty Presidential Scholar.

A Conversation with Dr. McNally

Why do you like teaching?

I feel fulfilled passing on the musical knowledge that has brought me and so many others great joy.

Who is one of your role models, and how did they impact you?

William Shomos showed me how to not just hold people to a standard, but modeled how to be a mentor and help them achieve that standard.

What is a current project in which you are involved?

A recital with my partner, Dr. Sara Chiesa!

Educational Background

• D.M.A., Music, University of Nebraska-Lincoln, 2021
• M.M., Vocal Performance, New England Conservatory, 2008
• B.A., Music Performance, Carnegie Mellon University, 2005

Awards and Honors

• Opera America's Digital Excellence in Opera Award
• Shoshana and Richard F. Gold Career Grant
• John Moriarty Presidential Scholar
• Hixon Lied Fellow
• Richard F. Gold Career Grant winner from The Shoshana Foundation

Professional ORganizations

• American Guild of Musical Artists
• National Association of Teachers of Singing
• National Opera Association

Research Interests

• 21st Century American Opera
• Italian Opera
• Lyric diction
• Alexander Technique